Josh Brand makes subtle and evocative photograms that utilise a clear set of references to modernist abstraction, but at the same time bending them to new conceptual ends, in particular having to do with the substance of the photographic image and also the way in which the specific constraints of a process help to determine meaning.
This article by Fionn Meade is a great introduction to the scope of his work, as are these videos, which date from when he was shortlisted for the Grange Prize in 2010:
